Sometimes she feared that the dispute between them had been revived, and had ended fatally to the Count.

Sometimes she was inclined to hope, that weariness, or disgust at her firm rejection of his suit had induced him to relinquish it; and, at others, she suspected that he had now recourse to stratagem, and forbore his visits, and prevailed with Montoni to forbear the repetition of his name, in the expectation that gratitude and generosity would prevail with her to give him the consent, which he could not hope from love.
Thus passed the time in vain conjecture, and alternate hopes and fears, till the day arrived when Montoni was to set out for the villa of Miarenti, which, like the preceding ones, neither brought the Count, or the mention of him.
Montoni having determined not to leave Venice, till towards evening, that he might avoid the heats, and catch the cool breezes of night, embarked about an hour before sun-set, with his family, in a barge, for the Brenta.

Emily sat alone near the stern of the vessel, and, as it floated slowly on, watched the gay and lofty city lessening from her view, till its palaces seemed to sink in the distant waves, while its loftier towers and domes, illumined by the declining sun, appeared on the horizon, like those far-seen clouds which, in more northern climes, often linger on the western verge, and catch the last light of a summer's evening.

Soon after, even these grew dim, and faded in distance from her sight; but she still sat gazing on the vast scene of cloudless sky, and mighty waters, and listening in pleasing awe to the deep-sounding waves, while, as her eyes glanced over the Adriatic, towards the opposite shores, which were, however, far beyond the reach of sight, she thought of Greece, and, a thousand classical remembrances stealing to her mind, she experienced that pensive luxury which is felt on viewing the scenes of ancient story, and on comparing their present state of silence and solitude with that of their former grandeur and animation.

The scenes of the Illiad illapsed in glowing colours to her fancy--scenes, once the haunt of heroes--now lonely, and in ruins; but which still shone, in the poet's strain, in all their youthful splendour.
As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story.
STANZAS O'er Ilion's plains, where once the warrior bled, And once the poet rais'd his deathless strain, O'er Ilion's plains a weary driver led His stately camels: For the ruin'd fane Wide round the lonely scene his glance he threw, For now the red cloud faded in the west, And twilight o'er the silent landscape drew Her deep'ning veil; eastward his course he prest: There, on the grey horizon's glimm'ring bound, Rose the proud columns of deserted Troy, And wandering shepherds now a shelter found Within those walls, where princes wont to joy.
Beneath a lofty porch the driver pass'd, Then, from his camels heav'd the heavy load; Partook with them the simple, cool repast, And in short vesper gave himself to God.
From distant lands with merchandise he came, His all of wealth his patient servants bore; Oft deep-drawn sighs his anxious wish proclaim To reach, again, his happy cottage door; For there, his wife, his little children, dwell; Their smiles shall pay the toil of many an hour: Ev'n now warm tears to expectation swell, As fancy o'er his mind extends her pow'r.
A death-like stillness reign'd, where once the song, The song of heroes, wak'd the midnight air, Save, when a solemn murmur roll'd along, That seem'd to say--'for future worlds prepare.' For Time's imperious voice was frequent heard Shaking the marble temple to its fall, (By hands he long had conquer'd, vainly rear'd), And distant ruins answer'd to his call.
While Hamet slept, his camels round him lay, Beneath him, all his store of wealth was piled; And here, his cruse and empty wallet lay, And there, the flute that chear'd him in the wild.
The robber Tartar on his slumber stole, For o'er the waste, at eve, he watch'd his train; Ah! who his thirst of plunder shall control?
Who calls on him for mercy--calls in vain! A poison'd poignard in his belt he wore, A crescent sword depended at his side, The deathful quiver at his back he bore, And infants--at his very look had died! The moon's cold beam athwart the temple fell, And to his sleeping prey the Tartar led; But soft!--a startled camel shook his bell, Then stretch'd his limbs, and rear'd his drowsy head.
Hamet awoke! the poignard glitter'd high! Swift from his couch he sprung, and 'scap'd the blow; When from an unknown hand the arrows fly, That lay the ruffian, in his vengeance, low.
He groan'd, he died! from forth a column'd gate A fearful shepherd, pale and silent, crept, Who, as he watch'd his folded flock star-late, Had mark'd the robber steal where Hamet slept.
He fear'd his own, and sav'd a stranger's life! Poor Hamet clasp'd him to his grateful heart; Then, rous'd his camels for the dusty strife, And, with the shepherd, hasten'd to depart.
And now, aurora breathes her fresh'ning gale, And faintly trembles on the eastern cloud; And now, the sun, from under twilight's veil, Looks gaily forth, and melts her airy shroud.
Wide o'er the level plains, his slanting beams Dart their long lines on Ilion's tower'd site; The distant Hellespont with morning gleams, And old Scamander winds his waves in light.
All merry sound the camel bells, so gay, And merry beats fond Hamet's heart, for he, E'er the dim evening steals upon the day, His children, wife and happy home shall see.
As Emily approached the shores of Italy she began to discriminate the rich features and varied colouring of the landscape--the purple hills, groves of orange pine and cypress, shading magnificent villas, and towns rising among vineyards and plantations.