[American Handbook of the Daguerrotype by Samuel D. Humphrey]@TWC D-Link bookAmerican Handbook of the Daguerrotype CHAPTER I 10/36
From this it will readily be perceived that the middle shades are the ones to be desired for representing the harmonious blending of the lights and shades. Then, if we examine, with respect to strength, or depth of tone, and sharpness of impression, we see that the light coating, produces a very sharp but shallow impression; while the other extreme gives a deep but very dull one.
Here, then, are still better reasons for avoiding either extreme.
The changes through which the plate passes in coating may be considered a yellow straw color or dark orange yellow, a rose color more or less dark in tint, or red violet, steel blue or indigo, and lastly green.
After attaining this latter color, the plate resumes a light yellow tint, and continues to pass successively a second time, with very few exceptions, through all the shades above mentioned. I will here present some excellent remarks upon this subject by Mr. Finley.
This gentleman says: "It is well known to all who have given much attention to the subject, that an excess of iodine gives the light portions of objects with peculiar strength and clearness, while the darker parts are retarded, as it were, and not brought out by that length of exposure which suffices for the former.
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