[Under the Lilacs by Louisa May Alcott]@TWC D-Link book
Under the Lilacs

CHAPTER XXI
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She did her part capitally, especially the shriek she gave when she looked into the fatal closet, the energy with which she scrubbed the tell-tale key, and her distracted tone when she called out: "Sister Anne, O, sister Anne, do you see anybody coming ?" while her enraged husband was roaring: "Will you come down, madam, or shall I come and fetch you ?" Betty made a captivating Anne,--all in white muslin, and a hat full of such lovely pink roses that she could not help putting up one hand to feel them as she stood on the steps looking out at the little window for the approaching brothers who made such a din that it sounded like a dozen horsemen instead if two.
Ben and Billy were got up regardless of expense in the way of arms; for their belts were perfect arsenals, and their wooden swords were big enough to strike terror into any soul, though they struck no sparks out of Bluebeard's blade in the awful combat which preceded the villain's downfall and death.
The boys enjoyed this part intensely, and cries of "Go it, Ben!" "Hit him again, Billy!" "Two against one isn't fair!" "Thorny's a match for 'em." "Now he's down, hurray!" cheered on the combatants, till, after a terrific struggle, the tyrant fell, and with convulsive twitchings of the scarlet legs, slowly expired while the ladies sociably fainted in each other's arms, and the brothers waved their swords and shook hands over the corpse of their enemy.
This piece was rapturously applauded, and all the performers had to appear and bow their thanks, led by the defunct Bluebeard, who mildly warned the excited audience that if they "didn't look out the seats would break down, and then there'd be a nice mess." Calmed by this fear they composed themselves, and waited with ardor for the next play, which promised to be a lively one, judging from the shrieks of laughter which came from behind the curtain.
"Sanch 's going to be in it, I know; for I heard Ben say, 'Hold him still; he won't bite,'" whispered Sam, longing to "jounce up and down, so great was his satisfaction at the prospect, for the dog was considered the star of the company.
"I hope Bab will do something else, she is so funny.

Wasn't her dress elegant ?" said Sally Folsum, burning to wear a long silk gown and a feather in her hair.
"I like Betty best, she's so cunning, and she peeked out of the window just as if she really saw somebody coming," answered Liddy Peckham, privately resolving to tease mother for some pink roses before another Sunday came.
Up went the curtain at last, and a voice announced "A Tragedy in Three Tableaux." "There's Betty!" was the general exclamation, as the audience recognized a familiar face under the little red hood worn by the child who stood receiving a basket from Teacher, who made a nice mother with her finger up, as if telling the small messenger not to loiter by the way.
"I know what that is!" cried Sally; "it's 'Mabel on Midsummer Day.' The piece Miss Celia spoke; don't you know ?" "There isn't any sick baby, and Mabel had a 'kerchief pinned about her head.' I say it's Red Riding Hood," answered Liddy, who had begun to learn Mary Howitt's pretty poem for her next piece, and knew all about it.
The question was settled by the appearance of the wolf in the second scene, and such a wolf! On few amateur stages do we find so natural an actor for that part, or so good a costume, for Sanch was irresistibly droll in the gray wolf-skin which usually lay beside Miss Celia's bed, now fitted over his back and fastened neatly down underneath, with his own face peeping out at one end, and the handsome tail bobbing gayly at the other.

What a comfort that tail was to Sancho, none but a bereaved bow-wow could ever tell.

It reconciled him to his distasteful part at once, it made rehearsals a joy, and even before the public he could not resist turning to catch a glimpse of the noble appendage, while his own brief member wagged with the proud consciousness that though the tail did not match the head, it was long enough to be seen of all men and dogs.
That was a pretty picture, for the little maid came walking in with the basket on her arm, and such an innocent face inside the bright hood that it was quite natural the gray wolf should trot up to her with deceitful friendliness, that she should pat and talk to him confidingly about the butter for grandma, and then that they should walk away together, he politely carrying her basket, she with her hand on his head, little dreaming what evil plans were taking shape inside.
The children encored that, but there was no time to repeat it, so they listened to more stifled merriment behind the red table-cloths, and wondered whether the next scene would be the wolf popping his head out of the window as Red Riding Hood knocks, or the tragic end of that sweet child.
It was neither, for a nice bed had been made, and in it reposed the false grandmother, with a ruffled nightcap on, a white gown, and spectacles.

Betty lay beside the wolf, staring at him as if just about to say, "Why, grandma, what great teeth you've got!" for Sancho's mouth was half open and a red tongue hung out, as he panted with the exertion of keeping still.


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