[The Euahlayi Tribe by K. Langloh Parker]@TWC D-Link bookThe Euahlayi Tribe CHAPTER XIV 3/8
But since the white people came the blue bag has put yellow out of fashion, and raddle is used for the red. Their opossum rugs used to have designs scratched on the skin sides and also painted patterns, some say tribal marks, others just to look pretty and distinguish each their own. Feathers tied into little bunches and fastened on to small wooden skewers were stuck upright in the hair at corroborees, also swansdown fluffed in puff balls over the heads. The Gooumoorh, or corroboree, is a sort of black fellow's opera; as to the musical part, rather, as some one found an oratorio, a thing of high notes and vain repetition. The stage effects of corroborees are sometimes huge sheets of bark fastened on to poles; these sheets of bark are painted in different designs and colours, something like Moorish embroideries.
Sometimes there is a huge imitation of an alligator made of logs plastered over with earth and painted in stripes of different colours, a piece of wood cut open stuck in at one end as a gaping mouth.
This alligator corroboree is generally indicative of a Boorah, or initiation ceremony, being near at hand.
Sometimes the stage effects are high painted poles merely. At the back of the goomboo, or stage, are large fires; in the front, in a semicircle, sit the women as orchestra, and the audience; a fire at each end of the semicircle, as a sort of footlights.
The music of the orchestra is made by some beating time on rolled-up opossum rugs, and some clicking two boomerangs together.
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