That their favourite was persecuted, was to them a veritable rapture.

Promptly they invested the apostle of culture with the glamour of a martyr.
The fakirs worked the community as shell-game tricksters work a county fair, departing with bursting pocket-books, passing on the word to the next in line, assured that the place was not worked out, knowing well that there was enough for all.
More frequently the public of the city, unable to think of more than one thing at one time, prostrated itself at the feet of a single apostle, but at other moments, such as the present, when a Flower Festival or a Million-Dollar Fair aroused enthusiasm in all quarters, the occasion was one of gala for the entire Fake.

The decayed professors, virtuosi, litterateurs, and artists thronged to the place en masse.

Their clamour filled all the air.

On every hand one heard the scraping of violins, the tinkling of mandolins, the suave accents of "art talks," the incoherencies of poets, the declamation of elocutionists, the inarticulate wanderings of the Japanese, the confused mutterings of the Cherokee, the guttural bellowing of the German university professor, all in the name of the Million-Dollar Fair.