But the girl had her answer: she declared they were one and the same, affirmed that the years between were a bad night's dream, that her heart had been faithful, that he who conjures visions of romance in a young girl's bosom must always have her heart, as a crisis will reveal it to her.

She had the volubility of the mettled Browny of old, and was lectured.

When she insisted on shouting 'Matey! Matey!' she was angrily spurned and silenced.
Aminta ceased to recline in her carriage.

An idea that an indolent posture fostered vapourish meditations, counselled her sitting rigidly upright and interestedly observing the cottages and merry gutter-children along the squat straight streets of a London suburb.

Her dominant ultimate thought was, 'I, too, can work!' Like her courage, the plea of a capacity to work appealed for confirmation to the belief which exists without demonstrated example; and as she refrained from probing to the inner sources of that mental outcry, it was allowed to stand and remain among the convictions we store--wherewith to shape our destinies.
Childishly indeed, quite witlessly, she fell into a trick of repeating the name of Matthew Weyburn in her breast and on her lips, after the manner of Isabella Lawrence Finchley, when she had inquired for his Christian name, and went on murmuring it, as if sucking a new bonbon, with the remark: 'It sounds nice, it suits the mouth.' Little Selina Collett had told, Aminta remembered, how those funny boys at Cuper's could not at first get the name 'Aminta' to suit the mouth, but went about making hideous faces in uttering it.