In the future it will be just as well to draw the line at poets as well as actors." The Lord of Moorlands had no patience with any of their views.

Whether Poe was a drunkard or not did not concern him in the least.

What did trouble him was the fact that St.George's cursed independence had made him so far forget himself and his own birth and breeding as to place a chair at his table for a man in every way beneath him.

Hospitality of that kind was understandable in men like Kennedy and Latrobe--one the leading literary light of his State, whose civic duties brought him in contact with all classes--the other a distinguished man of letters as well as being a poet, artist, and engineer, who naturally touched the sides of many personalities.

So, too, might Richard Horn be excused for stretching the point--he being a scientist whose duty it was to welcome to his home many kinds of people--this man Morse among them, with his farcical telegraph; a man in the public eye who seemed to be more or less talked about in the press, but of whom he himself knew nothing, but why St.George Temple, who in all probability had never read a line of Poe's or anybody else's poetry in his life, should give this sot a dinner, and why such sane gentlemen as Seymour, Clayton, and Pancoast should consider it an honor to touch elbows with him, was as unaccountable as it was incredible.
Furthermore--and this is what rankled deepest in his heart--St.George was subjecting his only son, Harry, to corrupting influences, and at a time, too, when the boy needed the uplifting examples of all that was highest in men and manners.
"And you tell me, Alec," he blazed out on hearing the details, "that the fellow never appeared until the dinner was all over and then came in roaring drunk ?" "Well, sah, I ain't yered nothin' 'bout de roarin', but he suttinly was 'how-come-ye-so'-- fer dey couldn't git 'im upstairs 'less dey toted him on dere backs.