purer, more emphatic, more developed, more epigrammatic, or otherwise more perfect form.

We notice the same in the waltzes which remain yet to be discussed here.
Whether these Waltzes (in B minor, Op.

69, No.

2; and in E major, without opus number) were really written in the early part of 1829, or later on in the year, need not be too curiously inquired into.

As I have already remarked, they may certainly be classed along with the above-discussed works.