But I did get it in the Farmer's Boy.

I visualized the whole scene, the entire harmonious life; I was with him from morn till eve always in that same green country with the same sky, cloudy or serene, above me; in the rustic village, at the small church with a thatched roof where the daws nested in the belfry, and the children played and shouted among the gravestones in the churchyard; in woods and green and ploughed fields and the deep lanes--with him and his fellow-toilers, and the animals, domestic and wild, regarding their life and actions from day to day through all the vicissitudes of the year.
The poem, then, appears to fill a place in our poetic literature, or to fill a gap; at all events from the point of view of those who, born and living in distant parts of the earth, still dream of the Old Home.

This perhaps accounts for the fact, which I heard at Honington, that most of the pilgrims to Bloomfield's birthplace are Americans.
Bloomfield followed his great example in dividing his poem into the four seasons, and he begins, Thomson-like, with an invitation to the Muse:-- O come, blest spirit, whatsoe'er thou art, Thou kindling warmth that hov'rest round my heart.
But happily he does not attempt to imitate the lofty diction of the Seasons or Windsor Forest, the noble poem from which, I imagine, Thomson derived his sonorous style.

He had a humble mind and knew his limitations, and though he adopted the artificial form of verse which prevailed down to his time he was still able to be simple and natural.
"Spring" does not contain much of the best of his work, but the opening is graceful and is not without a touch of pathos in his apologetic description of himself, as Giles, the farmer's boy.
Nature's sublimer scenes ne'er charmed my eyes Nor Science led me...
From meaner objects far my raptures flow...
Quick-springing sorrows, transient as the dew, Delight from trifles, trifles ever new.
'Twas thus with Giles; meek, fatherless, and poor, Labour his portion...
His life was cheerful, constant servitude...
Strange to the world, he wore a bashful look, The fields his study, Nature was his book.
The farm is described, the farmer, his kind, hospitable master; the animals, the sturdy team, the cows and the small flock of fore-score ewes.

Ploughing, sowing, and harrowing are described, and the result left to the powers above: Yet oft with anxious heart he looks around, And marks the first green blade that breaks the ground; In fancy sees his trembling oats uprun, His tufted barley yellow with the sun.
While his master dreams of what will be, Giles has enough to do protecting the buried grain from thieving rooks and crows; one of the multifarious tasks being to collect the birds that have been shot, for although-- Their danger well the wary plunderers know And place a watch on some conspicuous bough, Yet oft the skulking gunner by surprise Will scatter death among them as they rise.
'Tis useless, he tells us, to hang these slain robbers about the fields, since in a little while they are no more regarded than the men of rags and straw with sham rifles in their hands.