No distinct empire is assigned to fate or fortune; the will of the father of gods and men is absolute and uncontrollable.

This seems to be the true character of the Homeric deity, and it is very necessary that the student of Greek literature should bear it constantly in mind.

A strong instance in the Iliad itself to illustrate this position, is the passage where Jupiter laments to Juno the approaching death of Sarpedon.

'Alas me!' says he 'since it is fated (moira) that Sarpedon, dearest to me of men, should be slain by Patroclus, the son of Menoetius! Indeed, my heart is divided within me while I ruminate it in my mind, whether having snatched him up from out of the lamentable battle, I should not at once place him alive in the fertile land of his own Lycia, or whether I should now destroy him by the hands of the son of Menoetius!' To which Juno answers--'Dost thou mean to rescue from death a mortal man, long since destined by fate (palai pepromenon)?
You may do it--but we, the rest of the gods, do not sanction it.' Here it is clear from both speakers, that although Sarpedon is said to be fated to die, Jupiter might still, if he pleased, save him, and place him entirely out of the reach of any such event, and further, in the alternative, that Jupiter himself would destroy him by the hands of another."-- Coleridge, p.
156.

seq.
246 -- _Thrice at the battlements._ "The art military of the Homeric age is upon a level with the state of navigation just described, personal prowess decided every thing; the night attack and the ambuscade, although much esteemed, were never upon a large scale.
The chiefs fight in advance, and enact almost as much as the knights of romance.