[Athens: Its Rise and Fall<br> Complete by Edward Bulwer-Lytton]@TWC D-Link book
Athens: Its Rise and Fall
Complete

CHAPTER I
54/75

Their faith was with them ever--in sorrow or in joy--at the funeral or the feast--in their uprisings and their downsittings--abroad and at home--at the hearth and in the market-place--in the camp or at the altar.

Morning and night all the greater tribes of the elder world offered their supplications on high: and Plato has touchingly insisted on this sacred uniformity of custom, when he tells us that at the rising of the moon and at the dawning of the sun, you may behold Greeks and barbarians--all the nations of the earth--bowing in homage to the gods.
XIX.

To sum up, the above remarks conduce to these principal conclusions; First, that the Grecian mythology cannot be moulded into any of the capricious and fantastic systems of erudite ingenuity: as a whole, no mythology can be considered more strikingly original, not only because its foundations appear indigenous, and based upon the character and impressions of the people--not only because at no one period, from the earliest even to the latest date, whatever occasional resemblances may exist, can any identify be established between its most popular and essential creations, and those of any other faith; but because, even all that it borrowed it rapidly remodelled and naturalized, growing yet more individual from its very complexity, yet more original from the plagiarisms which it embraced; Secondly, that it differed in many details in the different states, but under the development of a general intercourse, assisted by a common language, the plastic and tolerant genius of the people harmonized all discords -- until (catholic in its fundamental principles) her religion united the whole of Greece in indissoluble bonds of faith and poetry--of daily customs and venerable traditions; Thirdly, that the influence of other creeds, though by no means unimportant in amplifying the character, and adding to the list of the primitive deities, appears far more evident in the ceremonies and usages than the personal creations of the faith.

We may be reasonably skeptical as to what Herodotus heard of the origin of rites or gods from Egyptian priests; but there is no reason to disbelieve the testimony of his experience, when he asserts, that the forms and solemnities of one worship closely resemble those of another; the imitation of a foreign ceremony is perfectly compatible with the aboriginal invention of a national god.
For the rest, I think it might be (and by many scholars appears to me to have been) abundantly shown, that the Phoenician influences upon the early mythology of the Greeks were far greater than the Egyptian, though by degrees, and long after the heroic age, the latter became more eagerly adopted and more superficially apparent.
In quitting this part of our subject, let it be observed, as an additional illustration of the remarkable nationality of the Grecian mythology, that our best light to the manners of the Homeric men, is in the study of the Homeric gods.

In Homer we behold the mythology of an era, for analogy to which we search in vain the records of the East--that mythology is inseparably connected with the constitution of limited monarchies,--with the manners of an heroic age:--the power of the sovereign of the aristocracy of heaven is the power of a Grecian king over a Grecian state:--the social life of the gods is the life most coveted by the Grecian heroes;--the uncertain attributes of the deities, rather physical or intellectual than moral--strength and beauty, sagacity mixed with cunning--valour with ferocity--inclination to war, yet faculties for the inventions of peace; such were the attributes most honoured among men, in the progressive, but still uncivilized age which makes the interval so pre-eminently Grecian-- between the mythical and historic times.


<<Back  Index  Next>>

D-Link book Top

TWC mobile books