The intellectual adventurers of Greece planted the first flag upon the shores of philosophy; for the competition of errors is necessary to the elucidation of truths; and the imagination indicates the soil which the reason is destined to culture and possess.
XXIII.

While such was the influence of their religion on the morals and the philosophy of the Greeks, what was its effect upon their national genius?
We must again remember that the Greeks were the only nation among the more intellectual of that day, who stripped their deities of symbolical attributes, and did not aspire to invent for gods shapes differing (save in loftier beauty) from the aspect and form of man.
And thus at once was opened to them the realm of sculpture.

The people of the East, sometimes indeed depicting their deities in human forms, did not hesitate to change them into monsters, if the addition of another leg or another arm, a dog's head or a serpent's tail, could better express the emblem they represented.

They perverted their images into allegorical deformities; and receded from the beautiful in proportion as they indulged their false conceptions of the sublime.
Besides, a painter or a sculptor must have a clear idea presented to him, to be long cherished and often revolved, if we desire to call forth all the inspiration of which his genius may be capable; but how could the eastern artist form a clear idea of an image that should represent the sun entering Aries, or the productive principle of nature?
Such creations could not fail of becoming stiff or extravagant, deformed or grotesque.

But to the Greek, a god was something like the most majestic or the most beautiful of his own species.