The miner, finding his way across the gap of a reef to pick up the vein of quartz at some distant and uncertain point, could not have been more lost to the world than was the young wife searching for a family skeleton, indefinitely embodied in her imagination by the name, James Fetherdon.
Pile after pile of papers and letters of the late Earl and his Countess had passed through her hands from chaos to order.

As she had read, hour after hour, the diaries of the cold, blue-eyed woman, Sybil Eglington, who had lived without love of either husband or son, as they, in turn, lived without love of each other, she had been overwhelmed by the revelation of a human heart, whose powers of expression were smothered by a shy and awkward temperament.

The late Countess's letters were the unclothing of a heart which had never expanded to the eyes of those whose love would have broken up a natural reserve, which became at last a proud coldness, and gave her a reputation for lack of feeling that she carried to her grave.
In the diaries which Hylda unearthed--the Countess had died suddenly--was the muffled cry of a soul tortured through different degrees of misunderstanding; from the vague pain of suffered indifference, of being left out of her husband's calculations, to the blank neglect narrowing her life down to a tiny stream of duty, which was finally lost in the sands.

She had died abroad, and alone, save for her faithful maid, who, knowing the chasm that lay between her mistress and her lord, had brought her letters and papers back to the Cloistered House, and locked them away with all the other papers and correspondence which the Countess had accumulated.
Among these papers was a letter to the late Lord Eglington written the day before she died.

In the haste and confusion ensuing on her death, the maid had not seen it.