[The Disowned Complete by Edward Bulwer-Lytton]@TWC D-Link bookThe Disowned Complete CHAPTER XIV 5/7
The vilest infamy is not too deep for the Seraph Virtue to descend and illumine its abyss!" "Out on the weak fools!" said the artist, bitterly: "it would be something, if they could be consistent even in crime!" and, placing his arm in Linden's, he drew him away. As the picture grew beneath the painter's hand, Clarence was much struck with the outline and expression of countenance given to the regicide Bradshaw. "They are but an imperfect copy of the living original from whom I have borrowed them," said Warner, in answer to Clarence's remark upon the sternness of the features.
"But that original--a relation of mine, is coming here to-day: you shall see him." While Warner was yet speaking, the person in question entered.
His were, indeed, the form and face worthy to be seized by the painter. The peculiarity of his character made him affect a plainness of dress unusual to the day, and approaching to the simplicity, but not the neatness, of Quakerism.
His hair--then, with all the better ranks, a principal object of cultivation--was wild, dishevelled, and, in wiry flakes of the sablest hue, rose abruptly from a forehead on which either thought or passion had written its annals with an iron pen; the lower part of the brow, which overhung the eye, was singularly sharp and prominent; while the lines, or rather furrows, traced under the eyes and nostrils, spoke somewhat of exhaustion and internal fatigue.
But this expression was contrasted and contradicted by the firmly compressed lip; the lighted, steady, stern eye; the resolute and even stubborn front, joined to proportions strikingly athletic and a stature of uncommon height. "Well, Wolfe," said the young painter to the person we have described, "it is indeed a kindness to give me a second sitting." "Tusk, boy!" answered Wolfe, "all men have their vain points, and I own that I am not ill pleased that these rugged features should be assigned, even in fancy, to one of the noblest of those men who judged the mightiest cause in which a country was ever plaintiff, a tyrant criminal, and a world witness!" While Wolfe was yet speaking his countenance, so naturally harsh, took a yet sterner aspect, and the artist, by a happy touch, succeeded in transferring it to the canvas. "But, after all," continued Wolfe, "it shames me to lend aid to an art frivolous in itself, and almost culpable in times when Freedom wants the head to design, and perhaps the hand to execute, far other and nobler works than the blazoning of her past deeds upon perishable canvas." A momentary anger at the slight put upon his art crossed the pale brow of the artist; but he remembered the character of the man and continued his work in silence.
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