But what could ever reconcile genius to its sufferings, its sacrifices, its fevered inquietudes, the intense labour which can alone produce what the shallow world deems the giant offspring of a momentary inspiration: what could ever reconcile it to these but the haughty and unquenchable consciousness of internal power; the hope which has the fulness of certainty that in proportion to the toil is the reward; the sanguine and impetuous anticipation of glory, which bursts the boundaries of time and space, and ranges immortality with a prophet's rapture?
Rob Genius of its confidence, of its lofty self-esteem, and you clip the wings of the eagle: you domesticate, it is true, the wanderer you could not hitherto comprehend, in the narrow bounds of your household affections; you abase and tame it more to the level of your ordinary judgments, but you take from it the power to soar; the hardihood which was content to brave the thundercloud and build its eyrie on the rock, for the proud triumph of rising above its kind, and contemplating with a nearer eye the majesty of heaven.
But if something of presumption is a part of the very essence of genius, in Warner it was doubly natural, for he was still in the heat and flush of a design, the defects of which he had not yet had the leisure to examine; and his talents, self-taught and self-modelled, had never received either the excitement of emulation or the chill of discouragement from the study of the masterpieces of his art.
The painter had not been long alone in his concealment before he heard steps; his heart beat violently, the door opened, and he saw, through a small hole which he had purposely made in the curtain, a man with a benevolent and prepossessing countenance, whom he instantly recognized as Sir Joshua Reynolds, enter the room, accompanied by Talbot.

They walked up to the picture, the painter examined it closely, and in perfect silence.

"Silence," thought Warner, "is the best homage of admiration;" but he trembled with impatience to hear the admiration confirmed by words,--those words came too soon.
"It is the work of a clever man, certainly," said Sir Joshua; "but" (terrible monosyllable) "of one utterly unskilled in the grand principles of his art--look here, and here, and here, for instance;" and the critic, perfectly unconscious of the torture he inflicted, proceeded to point out the errors of the work.

Oh! the agony, the withering agony of that moment to the ambitious artist! In vain he endeavoured to bear up against the judgment,--in vain he endeavoured to persuade himself that it was the voice of envy which in those cold, measured, defining accents, fell like drops of poison upon his heart.

He felt at once, and as if by a magical inspiration, the truth of the verdict; the scales of self-delusion fell from his eyes; by a hideous mockery, a kind of terrible pantomime, his goddess seemed at a word, a breath, transformed into a monster: life, which had been so lately concentrated into a single hope, seemed now, at once and forever, cramped, curdled, blistered into a single disappointment.
"But," said Talbot, who had in vain attempted to arrest the criticisms of the painter (who, very deaf at all times, was, at that time in particular, engrossed by the self-satisfaction always enjoyed by one expatiating on his favourite topic),--"but," said Talbot, in a louder voice, "you own there is great genius in the design ?" "Certainly, there is genius," replied Sir Joshua, in a tone of calm and complacent good-nature; "but what is genius without culture?
You say the artist is young, very young; let him take time: I do not say let him attempt a humbler walk; let him persevere in the lofty one he has chosen, but let him first retrace every step he has taken; let him devote days, months, years, to the most diligent study of the immortal masters of the divine art, before he attempts (to exhibit, at least) another historical picture.