[The Three Cities Trilogy by Emile Zola]@TWC D-Link bookThe Three Cities Trilogy PART I 107/225
And at sight of this middle-class bareness and coldness Pierre ended by remembering a room where he had slept in childhood--a room at Versailles, at the abode of his grandmother, who had kept a little grocer's shop there in the days of Louis Philippe.
However, he became interested in an old painting which hung in the bed-room, on the wall facing the bed, amidst some childish and valueless engravings.
But partially discernible in the waning light, this painting represented a woman seated on some projecting stone-work, on the threshold of a great stern building, whence she seemed to have been driven forth.
The folding doors of bronze had for ever closed behind her, yet she remained there in a mere drapery of white linen; whilst scattered articles of clothing, thrown forth chance-wise with a violent hand, lay upon the massive granite steps.
Her feet were bare, her arms were bare, and her hands, distorted by bitter agony, were pressed to her face--a face which one saw not, veiled as it was by the tawny gold of her rippling, streaming hair.
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