[The Three Cities Trilogy by Emile Zola]@TWC D-Link bookThe Three Cities Trilogy PART II 130/207
And around the seat of triumph what a dazzling, glorious court there was! The whole pontifical family, the stream of assistant prelates, the patriarchs, the archbishops, and the bishops, with vestments and mitres of gold, the _Camerieri segreti partecipanti_ in violet silk, the _Camerieri partecipanti_ of the cape and the sword in black velvet Renascence costumes, with ruffs and golden chains, the whole innumerable ecclesiastical and laical suite, which not even a hundred pages of the "Gerarchia" can completely enumerate, the prothonotaries, the chaplains, the prelates of every class and degree, without mentioning the military household, the gendarmes with their busbies, the Palatine Guards in blue trousers and black tunics, the Swiss Guards costumed in red, yellow, and black, with breastplates of silver, suggesting the men at arms of some drama of the Romantic school, and the Noble Guards, superb in their high boots, white pigskins, red tunics, gold lace, epaulets, and helmets! However, since Rome had become the capital of Italy the doors were no longer thrown wide open; on the rare occasions when the Pope yet came down to officiate, to show himself as the supreme representative of the Divinity on earth, the basilica was filled with chosen ones.
To enter it you needed a card of invitation.
You no longer saw the people--a throng of fifty, even eighty, thousand Christians--flocking to the Church and swarming within it promiscuously; there was but a select gathering, a congregation of friends convened as for a private function.
Even when, by dint of effort, thousands were collected together there, they formed but a picked audience invited to the performance of a monster concert. * The chair and stage are known by that name .-- Trans. And as Pierre strolled among the bright, crude marbles in that cold if gorgeous museum, the feeling grew upon him that he was in some pagan temple raised to the deity of Light and Pomp.
The larger temples of ancient Rome were certainly similar piles, upheld by the same precious columns, with walls covered with the same polychromatic marbles and vaulted ceilings having the same gilded panels.
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