[The Three Cities Trilogy by Emile Zola]@TWC D-Link bookThe Three Cities Trilogy PART II 171/207
Later, when Christianity arose in Rome, it there remained impregnated with paganism; it was on another soil that it produced Gothic art, the Christian Art _par excellence_.
Later still, at the Renascence, it was certainly at Rome that the age of Julius II and Leo X shone forth; but the artists of Tuscany and Umbria prepared the evolution, brought it to Rome that it might thence expand and soar.
For the second time, indeed, art came to Rome from without, and gave her the royalty of the world by blossoming so triumphantly within her walls.
Then occurred the extraordinary awakening of antiquity, Apollo and Venus resuscitated worshipped by the popes themselves, who from the time of Nicholas V dreamt of making papal Rome the equal of the imperial city.
After the precursors, so sincere, tender, and strong in their art--Fra Angelico, Perugino, Botticelli, and so many others--came the two sovereigns, Michael Angelo and Raffaelle, the superhuman and the divine.
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