[England’s Antiphon by George MacDonald]@TWC D-Link bookEngland’s Antiphon CHAPTER XXIII 15/16
The joy of seeing the Saviour was _stolen_ because they gained it in the absence of the sun! [141] A trisyllable. [142] His garland. [143] The "sunny seed" in their hearts. [144] From _tine_ or _tind_, to set on fire.
Hence _tinder_. [145] The body of Jesus. [146] Mark i.
35; Luke xxi.37.The word _time_ must be associated both with _progress_ and _prayer_--his walking-time and prayer-time. [147] This is an allusion to the sphere-music: the great heavens is a clock whose hours are those when Jesus retires to his Father; and to these hours the sphere-music gives the chime. [148] He continues his poetic synonyms for the night. [149] "Behold I stand at the door and knock." [150] A monosyllable. [151] Often used for _chambers_. [152] "The creation looks for the light, thy shadow ?" Or, "The light looks for thy shadow, the sun"? [153] _Perforce_: of necessity. [154] He does not mean his fellows, but his bodily nature. [155] _Savourest ?_ [156] The first I ever saw of its hymns was on a broad-sheet of Christmas Carols, with coloured pictures, printed in Seven Dials. [157] They passed through twenty editions, not to mention one lately published (_by Daniel Sedgwick, of 81, Sun-street, Bishopsgate, a man who, concerning hymns and their writers, knows more than any other man I have met_), from which, carefully edited, I have gathered all my _information_, although I had known the book itself for many years. [158] The animal _spirits_ of the old physiologists. [159] In the following five lines I have adopted the reading of the first edition, which, although a little florid, I prefer to the scanty two lines of the later. [160] False in feeling, nor like God at all, although a ready pagan representation of him.
There is much of the pagan left in many Christians--poets too. [161] _Insisting--persistent_. [162] Great cloudy ridges, one rising above the other, like a grand stair up to the heavens.
_See Wordsworth's note_. [163] The mountain. [164] These two lines are just the symbol for the life of their author. [165] From the rose-light on the snow of its peak. [166] They all flow from under the glaciers, fed by their constant melting. [167] Turning for contrast to the glaciers, which he apostrophizes in the next line. [168] Antecedent, _peaks_. [Transcriber's Note: In this electronic edition, the footnotes have been numbered and relocated to the end of the work.
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