[England’s Antiphon by George MacDonald]@TWC D-Link book
England’s Antiphon

CHAPTER XXIII
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And if the sun has not arisen on the close of the book, yet the Aurora of the coming dawn gives light enough to make the onward journey possible and hopeful: who dares say that he walks in the full light?
that the counsels of God are to him not a matter of faith, but of vision?
Bewildered in the perplexities of nature's enigmas, and driven by an awful pain of need, Tennyson betakes himself to the God of nature, thus: LIV.
The wish, that of the living whole No life may fail beyond the grave; Derives it not from what we have The likest God within the soul?
Are God and Nature then at strife, That Nature lends such evil dreams, So careful of the type she seems, So careless of the single life; That I, considering everywhere Her secret meaning in her deeds, And finding that of fifty seeds She often brings but one to bear; I falter where I firmly trod, And falling with my weight of cares Upon the great world's altar-stairs That slope thro' darkness up to God; I stretch lame hands of faith, and grope, And gather dust and chaff, and call To what I feel is Lord of all, And faintly trust the larger hope.
[Illustration: "...

he was dead, and there he sits, And he that brought him back is there."] Once more, this is how he uses the gospel-tale: Mary has returned home from the sepulchre, with Lazarus so late its prey, and her sister and Jesus:-- XXXII.
Her eyes are homes of silent prayer, Nor other thought her mind admits But, he was dead, and there he sits, And he that brought him back is there.
Then one deep love doth supersede All other, when her ardent gaze Roves from the living brother's face, And rests upon the Life indeed.
All subtle thought, all curious fears, Borne down by gladness so complete, She bows, she bathes the Saviour's feet With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers, Whose loves in higher love endure; What souls possess themselves so pure, Or is there blessedness like theirs?
* * * * * I have thus traced--how slightly!--the course of the religious poetry of England, from simple song, lovingly regardful of sacred story and legend, through the chant of philosophy, to the full-toned lyric of adoration.

I have shown how the stream sinks in the sands of an evil taste generated by the worship of power and knowledge, and that a new growth of the love of nature--beauty counteracting not contradicting science--has led it by a fair channel back to the simplicities of faith in some, and to a holy questioning in others; the one class having for its faith, the other for its hope, that the heart of the Father is a heart like ours, a heart that will receive into its noon the song that ascends from the twilighted hearts of his children.
Gladly would I have prayed for the voices of many more of the singers of our country's psalms.

Especially do I regret the arrival of the hour, because of the voices of living men and women.

But the time is over and gone.


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