[The History of Rome, Book IV by Theodor Mommsen]@TWC D-Link book
The History of Rome, Book IV

CHAPTER XIII
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The higher kinds of literature--such as epos, tragedy, history--have died out or have been arrested in their development.

The subordinate kinds--the translation and imitation of the intrigue-piece, the farce, the poetical and prose brochure--alone are successful; in this last field of literature swept by the full hurricane of revolution we meet with the two men of greatest literary talent in this epoch, Gaius Gracchus and Gaius Lucilius, who stand out amidst a number of more or less mediocre writers just as in a similar epoch of French literature Courier and Beranger stand out amidst a multitude of pretentious nullities.
In the plastic and delineative arts likewise the production, always weak, is now utterly null.

On the other hand the receptive enjoyment of art and literature flourished; as the Epigoni of this period in the political field gathered in and used up the inheritance that fell to their fathers, we find them in this field also as diligent frequenters of plays, as patrons of literature, as connoisseurs and still more as collectors in art.

The most honourable aspect of this activity was its learned research, which put forth a native intellectual energy, more especially in jurisprudence and in linguistic and antiquarian investigation.
The foundation of these sciences which properly falls within the present epoch, and the first small beginnings of an imitation of the Alexandrian hothouse poetry, already herald the approaching epoch of Roman Alexandrinism.

All the productions of the present epoch are smoother, more free from faults, more systematic than the creations of the sixth century.


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