Baroccio has a fine portrait--Francesco Maria II, last Duke of Urbino, and the grandfather of the Vittoria della Rovere whom we saw in the Sala di Rubens.

Here also is a portrait of Lorenzo the Magnificent by Vasari, but it is of small value since Vasari was not born till after Lorenzo's death.

The Galileo by Sustermans--No.

163--on the contrary would be from life; and after the Tribuna portrait of Rubens' first wife it is interesting to find here his pleasant portrait of Helen Fourment, his second.

To my eyes two of the most attractive pictures in the room are the Young Sculptor--No.