But more worthy of attention is the torso of a faun on the left, on a revolving pedestal which (unlike those in the Bargello, as we shall discover) really does revolve and enables you to admire the perfect back.

There is also a torso in basalt or porphyry which one should study from all points, and on the walls some wonderful portions of a frieze from the Ara Pacis, erected in Rome, B.C.139, with wonderful figures of men, women, and children on it.

Among the heads is a colossal Alexander, very fine indeed, a beautiful Antoninus, a benign and silly Roman lady in whose existence one can quite believe, and a melancholy Seneca.

Look also at Nos.

330 and 332, on the wall: 330, a charming genius, carrying one of Jove's thunderbolts; and 332, a boy who is sheer Luca della Robbia centuries before his birth.
I ought to add that, in addition to the various salons in the Uffizi, the long corridors are hung with pictures too, in chronological order, the earliest of all being to the right of the entrance door, and in the corridors there is also some admirable statuary.