But the authorship of the Roman Emperor is very doubtful.

And lastly the glorious Marzocco--the lion from the front of the Palazzo Vecchio, firmly holding the Florentine escutcheon against the world.

Florence has other Donatellos--the Judith in the Loggia de' Lanzi, the figures on Giotto's campanile, the Annunciation in S.Croce, and above all the cantoria in the Museum of the Cathedral; but this room holds most of his strong sweet genius.

Here (for there are seldom more than two or three persons in it) you can be on terms with him.
After the Donatellos we should see the other Renaissance sculpture.

But first the Carrand collection of ivories, pictures, jewels, carvings, vestments, plaquettes, and objets d'art, bequeathed to Florence in 1888.