Such examples of affection and solicitude as they were continually bringing to the popular vision must have engendered kindness.
I have noted as especially beautiful in the first room Nos.

4, 6, 12, 23, by Andrea; and 10 and 21, by Luca.

These, by the way, are the Bargello ascriptions, but the experts do not always agree.

Herr Bode, for example, who has studied the della Robbias with passionate thoroughness, gives the famous head of the boy, which is in reproduction one of the best-known works of plastic art, to Luca; but the Bargello director says Andrea.

In Herr Bode's fascinating monograph, "Florentine Sculptors of the Renaissance," he goes very carefully into the differences between the uncle and the nephew, master and pupil.