Look particularly at the laughing head fourth from the right.

But that one of Desiderio's over the middle columns has much charm and power.

The doors, from Brunelleschi's own hand, in a doorway perfect in scale, are noble and worthy.

The chapel itself I find too severe and a little fretted by its della Robbias and the multiplicity of circles.

It is called Brunelleschi's masterpiece, but I prefer both the Badia of Fiesole and the Old Sacristy at S.Lorenzo, and I remember with more pleasure the beautiful doorway leading from the Arnolfo cloisters to the Brunelleschi cloisters, which probably is his too.