[Dahcotah by Mary Eastman]@TWC D-Link book
Dahcotah

CHAPTER III
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But of all their superstitious notions the most curious is the one which occasions the dance called Ho-saw-kah-u-tap-pe, or Fish dance, where the fish is eaten raw.
Some days since, an Indian who lives at Shah-co-pee's village dreamed of seeing a cormorant, a bird which feeds on fish.

He was very much alarmed, and directed his friend to go out and catch a fish, and to bring the first one he caught to him.
The Indian did so, and the fish, which was a large pike, was painted with blue clay.

Preparations were immediately made to celebrate the Fish dance, in order to ward off any danger of which the dream might have been the omen.
A circle was formed of brush, on one side of which the Indians pitched a wigwam.

The war implements were then brought inside the ring, and a pole stuck up in the centre, with the raw fish, painted blue, hung upon it.
The men then enter the ring, almost naked; their bodies painted black, excepting the breast and arms, which are varied in color according to the fancy of each individual.
Inside the ring is a bush for each dancer; in each bush a nest, made to resemble a cormorant's nest; and outside the ring is an Indian metamorphosed for the occasion into a wolf--that is, he has the skin of a wolf drawn over him, and hoops fixed to his hands to enable him to run easier on all fours; and in order to sustain the character which he has assumed, he remains outside, lurking about for food.
All being ready, the medicine men inside the wigwam commence beating a drum and singing.

This is the signal for all the cormorants (Indians), inside the ring, to commence quacking and dancing and using their arms in imitation of wings, keeping up a continual flapping.


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