[Buried Alive: A Tale of These Days by Arnold Bennett]@TWC D-Link book
Buried Alive: A Tale of These Days

CHAPTER I
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In that sad hour and place, his melancholy thoughts were centred upon the resplendent, unique success in life of a gifted and glorious being known to nations and newspapers as Priam Farll.
_Riches and Renown_ In the days when the New Gallery was new, a picture, signed by the unknown name of Priam Farll, was exhibited there, and aroused such terrific interest that for several months no conversation among cultured persons was regarded as complete without some reference to it.

That the artist was a very great painter indeed was admitted by every one; the only question which cultured persons felt it their duty to settle was whether he was the greatest painter that ever lived or merely the greatest painter since Velasquez.

Cultured persons might have continued to discuss that nice point to the present hour, had it not leaked out that the picture had been refused by the Royal Academy.

The culture of London then at once healed up its strife and combined to fall on the Royal Academy as an institution which had no right to exist.

The affair even got into Parliament and occupied three minutes of the imperial legislature.


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