Wynd was a Shropshire squire's son, a lissom fair-haired man, the handiest of boxers, rowers, riders, shots, fishermen, with a noisy superabundance of animal spirits, which maddened Elsley.

Yet Wynd had sentiment in his way, though he took good care never to show it Elsley; could repeat Tennyson from end to end; spouted the Mort d'Arthur up hill and down dale, and chaunted rapturously, "Come into the garden, Maud!" while he expressed his opinion of Maud's lover in terms more forcible than delicate.

Naylor, fidus Achates, was a Gloucestershire parson's son, a huge heavy-looking man, with a thick curling lip, and a sleepy eye; but he had brains enough to become a first-rate classic; and in that same sleepy eye and heavy lip lay an infinity of quiet humour; racy old country stories, quaint scraps of out-of-the-way learning, jovial old ballads, which he sang with the mellowest of voices, and a slang vocabulary, which made him the dread of all bargees from Newnham pool to Upware.

Him also Elsley hated, because Naylor looked always as if he was laughing at him, which indeed he was.
And the worst was, that Elsley had always to face them both at once.

If Wynd vaulted over a gate into his very face, with a "How de' do, Mr.
Vavasour?
Had any verses this morning ?" in the same tone as if he had asked, "Had any sport ?" Naylor's round face was sure to look over the stone-wall, pipe in mouth, with a "Don't disturb the gentleman, Tom; don't you see he's a composing of his rhymes!" in a strong provincial dialect put on for the nonce.