In the early part of the year 1834 his great opportunity had, apparently, come, and he was ready and eager to grasp it.

There were four huge panels in the rotunda of the Capitol at Washington, which were still to be filled by historical paintings, and a committee in Congress was appointed to select the artists to execute them.
Morse, president of the National Academy of Design, and enthusiastically supported by the best artists in the country, had every reason to suppose that he would be chosen to execute at least one of these paintings.
Confident that he had but to make his wishes known to secure the commission, he addressed the following circular letter to various members of Congress, among whom were such famous men as Daniel Webster, John C.
Calhoun, Henry Clay, and John Quincy Adams, all personally known to him:-- March 7, 1834.
MY DEAR SIR,--I perceive that the Library Committee have before them the consideration of a resolution on the expediency of employing four artists to paint the remaining four pictures in the Rotunda of the Capitol.

If Congress should pass a resolution in favor of the measure, I should esteem it a great honor to be selected as one of the artists.
I have devoted twenty years of my life, of which seven were passed in England, France, and Italy, studying with special reference to the execution of works of the kind proposed, and I must refer to my professional life and character in proof of my ability to do honor to the commission and to the country.
May I take the liberty to ask for myself your favorable recommendation to those in Congress who have the disposal of the commissions?
With great respect, Sir, Your most obedient servant, S.F.B.

MORSE.
While this letter was written in 1834, the final decision of the committee was not made until 1837, but I shall anticipate a little and give the result which had such a momentous effect on Morse's career.
There was every reason to believe that his request would be granted, and he and his friends, many of whom endorsed by letter his candidacy, had no fear as to the result; but here again Fate intervened and ordered differently.
Among the committee men in Congress to whom this matter was referred was John Quincy Adams, ex-President of the United States.

In discussing the subject, Mr.Adams submitted a resolution opening the competition to foreign artists as well as to American, giving it as his opinion that there were no artists in this country of sufficient talent properly to execute such monumental works.