Nothing was spared that the country could produce, and the result was indeed worthy of the effort, not so much on account of its size -- for there are larger fanes in the world -- as because of its perfect proportions, the richness and beauty of its materials, and the wonderful workmanship.

The building (that stands by itself on a space of some eight acres of garden ground on the hilltop, around which are the dwelling-places of the priests) is built in the shape of a sunflower, with a dome-covered central hall, from which radiate twelve petal-shaped courts, each dedicated to one of the twelve months, and serving as the repositories of statues reared in memory of the illustrious dead.
The width of the circle beneath the dome is three hundred feet, the height of the dome is four hundred feet, and the length of the rays is one hundred and fifty feet, and the height of their roofs three hundred feet, so that they run into the central dome exactly as the petals of the sunflower run into the great raised heart.

Thus the exact measurement from the centre of the central altar to the extreme point of any one of the rounded rays would be three hundred feet (the width of the circle itself), or a total of six hundred feet from the rounded extremity of one ray or petal to the extremity of the opposite one.

{Endnote 14} The building itself is of pure and polished white marble, which shows out in marvellous contrast to the red granite of the frowning city, on whose brow it glistens indeed like an imperial diadem upon the forehead of a dusky queen.

The outer surface of the dome and of the twelve petal courts is covered entirely with thin sheets of beaten gold; and from the extreme point of the roof of each of these petals a glorious golden form with a trumpet in its hand and widespread wings is figured in the very act of soaring into space.