The balcony was furnished with a chair or two; I sat down, and took out a cigar,--I will take one now, if you will excuse me." Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on-- "I liked bonbons too in those days, Miss Eyre, and I was _croquant_--( overlook the barbarism)--_croquant_ chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the 'voiture' I had given Celine.

She was returning: of course my heart thumped with impatience against the iron rails I leant upon.

The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak--an unnecessary encumbrance, by-the-bye, on so warm a June evening--I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step.

Bending over the balcony, I was about to murmur 'Mon ange'-- in a tone, of course, which should be audible to the ear of love alone--when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched _porte cochere_ of the hotel.
"You never felt jealousy, did you, Miss Eyre?
Of course not: I need not ask you; because you never felt love.

You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it.