Still, now and then, I received a damping check to my cheerfulness; and was, in spite of myself, thrown back on the region of doubts and portents, and dark conjectures.

This was when I chanced to see the third-storey staircase door (which of late had always been kept locked) open slowly, and give passage to the form of Grace Poole, in prim cap, white apron, and handkerchief; when I watched her glide along the gallery, her quiet tread muffled in a list slipper; when I saw her look into the bustling, topsy-turvy bedrooms,--just say a word, perhaps, to the charwoman about the proper way to polish a grate, or clean a marble mantelpiece, or take stains from papered walls, and then pass on.

She would thus descend to the kitchen once a day, eat her dinner, smoke a moderate pipe on the hearth, and go back, carrying her pot of porter with her, for her private solace, in her own gloomy, upper haunt.

Only one hour in the twenty-four did she pass with her fellow-servants below; all the rest of her time was spent in some low-ceiled, oaken chamber of the second storey: there she sat and sewed--and probably laughed drearily to herself,--as companionless as a prisoner in his dungeon.
The strangest thing of all was, that not a soul in the house, except me, noticed her habits, or seemed to marvel at them: no one discussed her position or employment; no one pitied her solitude or isolation.

I once, indeed, overheard part of a dialogue between Leah and one of the charwomen, of which Grace formed the subject.