The Marchioness writes always in the tone and style of a great princess, adding that peculiar note of religious affectionateness which the French call "_onction_," and marking her strong admiration of the illustrious artist.

The letters are not dated; but this matters little, since they only turn on literary courtesies exchanged, drawings presented, and pious interests in common.
"Unique Master Michelangelo, and my most singular friend,--I have received your letter, and examined the crucifix, which truly hath crucified in my memory every other picture I ever saw.

Nowhere could one find another figure of our Lord so well executed, so living, and so exquisitely finished.

Certes, I cannot express in words how subtly and marvellously it is designed.

Wherefore I am resolved to take the work as coming from no other hand but yours, and accordingly I beg you to assure me whether this is really yours or another's.