[The Life of Michelangelo Buonarroti by John Addington Symonds]@TWC D-Link book
The Life of Michelangelo Buonarroti

CHAPTER XII
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For the which reasons I (it is now many years ago), holding his name not only in admiration, but also in veneration, before I knew that he was architect already, made a sonnet; with which (although it be as much below the supreme greatness of his worth as it is unworthy of your most refined and chastened ears) I mean to close this present conference; reserving the discussion on the arts (in obedience to our Consul's orders) for another lecture.
_Illustrious sculptor, 'twas enough and more, Not with the chisel-and bruised bronze alone, But also with brush, colour, pencil, tone, To rival, nay, surpass that fame of yore.
But now, transcending what those laurels bore Of pride and beauty for our age and zone.
You climb of poetry the third high throne, Singing love's strife and-peace, love's sweet and sore.
O wise, and dear to God, old man well born, Who in so many, so fair ways, make fair This world, how shall your dues be dully paid?
Doomed by eternal charters to adorn Nature and art, yourself their mirror are, None, first before, nor second after, made."_ In the above translation of Varchi's peroration I have endeavoured to sustain those long-winded periods of which he was so perfect and professed a master.

We must remember that he actually read this dissertation before the Florentine Academy on the second Sunday in Lent, in the year 1546, when Michelangelo was still alive and hearty.
He afterwards sent it to the press; and the studied trumpet-tones of eulogy, conferring upon Michelangelo the quintuple crown of pre-eminence in painting, sculpture, architecture, poetry, and loving, sounded from Venice down to Naples.

The style of the oration may strike us as _rococo_ now, but the accent of praise and appreciation is surely genuine.

Varchi's enthusiastic comment on the sonnets xxx, xxxi, and lii, published to men of letters, taste, and learning in Florence and all Italy, is the strongest vindication of their innocence against editors and scholars who in various ways have attempted to disfigure or to misconstrue them..


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