[The Life of Michelangelo Buonarroti by John Addington Symonds]@TWC D-Link bookThe Life of Michelangelo Buonarroti CHAPTER II 38/59
In spite of the marvellous and intricate beauty of the line-composition, it lacks that effect of graduated distances which might perhaps have been secured by execution in bronze or marble.
The types have not been chosen with regard to ideal loveliness or dignity, but accurately studied from living models.
This is very obvious in the heads of Christ and S.John.The two adolescent genii on the right hand possess a high degree of natural grace.
Yet even here what strikes one most is the charm of their attitude, the lovely interlacing of their arms and breasts, the lithe alertness of the one lad contrasted with the thoughtful leaning languor of his comrade. Only perhaps in some drawings of combined male figures made by Ingres for his picture of the Golden Age have lines of equal dignity and simple beauty been developed.
I do not think that this Madonna, supposing it to be a genuine piece by Michelangelo, belongs to the period of his first residence in Rome.
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