Anyhow, there is no doubt that in this sketch, so happily restored by Professor Middleton's sagacity and tact, we are brought close to Michelangelo's conception of the colossal work he never was allowed to execute.

It not only answers to the description translated above from the sculptor's own appendix to the contract, but it also throws light upon the original plan of the tomb designed for the tribune of S.Peter's.
The basement of the podium has been preserved, we may assume, in its more salient features.

There are the niches spoken of by Condivi, with Vasari's conquered provinces prostrate at the feet of winged Victories.

These are flanked by the terminal figures, against which, upon projecting consoles, stand the bound captives.

At the right hand facing us, upon the upper platform, is seated Moses, with a different action of the hands, it is true, from that which Michelangelo finally adopted.