Both were _uomini terribili_, to use a phrase denoting vigour of character and energy of genius, made formidable by an abrupt, uncompromising spirit.

Both worked with what the Italians call fury, with the impetuosity of daemonic natures; and both left the impress of their individuality stamped indelibly upon their age.
Julius, in all things grandiose, resolved to signalise his reign by great buildings, great sculpture, great pictorial schemes.

There was nothing of the dilettante and collector about him.

He wanted creation at a rapid rate and in enormous quantities.

To indulge this craving, he gathered round him a band of demigods and Titans, led by Bramante, Raffaello, Michelangelo, and enjoyed the spectacle of a new world of art arising at his bidding through their industry of brain and hand.
II What followed upon Michelangelo's arrival in Rome may be told in Condivi's words: "Having reached Rome, many months elapsed before Julius decided on what great work he would employ him.