[English Literature: Modern by G. H. Mair]@TWC D-Link book
English Literature: Modern

CHAPTER III
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Greene and Peele, the former by his comedies, the latter by his historical plays, and Kyd by his tragedies, have their places in the text-books, but they belong to a secondary order of dramatic talent.

Marlowe ranks amongst the greatest.
It is not merely that historically he is the head and fount of the whole movement, that he changed blank verse, which had been a lumbering instrument before him, into something rich and ringing and rapid and made it the vehicle for the greatest English poetry after him.
Historical relations apart, he is great in himself.

More than any other English writer of any age, except Byron, he symbolizes the youth of his time; its hot-bloodedness, its lust after knowledge and power and life inspires all his pages.

The teaching of Machiavelli, misunderstood for their own purposes by would-be imitators, furnished the reign of Elizabeth with the only political ideals it possessed.

The simple brutalism of the creed, with means justified by ends and the unbridled self-regarding pursuit of power, attracted men for whom the Spanish monarchy and the struggle to overthrow it were the main factors and politics.


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