He turns hastily.
It is Marimonda.
Marimonda has no longer her lively and dancing motions; she also seems languid, sad.

At sight of Selkirk, she makes a movement as if to flee; but almost immediately advances a little, and, sorrowful, with bent brow, sits down on a bank not far from him.
Has she then remarked that he is without arms?
On his side, Selkirk who had not met her for a long time, seemed to have forgotten his former aversion.
At all events, is she not the most intelligent being chance has placed near him?
He remembers that, in the ship, she obeyed the voice, the gesture of the captain, and that her tricks amused the whole crew.
This resemblance to the human form, which he at first disliked, now awakens in him ideas of indulgence and peace.

He reproaches himself with having treated her so brutally, when the poor animal, who alone had accompanied him into exile, at first accosted him with a caress.
And now she returns, laying aside all ill-will, forgetting even the wound which she received from him in an impulse of irritation and hatred, of which she was not the object, for which she ought not to be responsible.
He therefore makes to her a little sign with the head.
Marimonda replies by winks of the eye and motions of the shoulders, which Selkirk thinks not wholly destitute of grace.
He rises and approaches her, saluting her with an amicable gesture.
She awaits him, chattering with her teeth and lips with an expression of joy.
Selkirk gently passes his hand over her forehead and neck, calling her by name; then he starts for his habitation, and Marimonda follows him.
The man and the monkey have just been reconciled.

Both were tired of their isolation..