In truth, nothing could be more regal or more dazzling than the appearance of the youthful bride, who wore, as Queen of Navarre, a richly-jewelled crown, beneath which her long and luxuriant dark hair fell in waving masses over an ermine cape (or _couet_) clasped from the throat to the waist with large diamonds; while her voluminous train of violet-coloured velvet, three ells in length, was borne by four princesses.[7] And thus in royal state she moved along, surrounded and followed by all the nobility and chivalry of France, amid the acclamations of an admiring and excited people, having just pledged herself to one whose feelings were as little interested in the compact as her own.
The bridal festivities lasted throughout three entire days; and never had such an excess of luxury and magnificence been displayed at the French Court.

Towards the Protestants, the bearing both of Charles IX and his mother was so courteous, frank, and conciliating, that the most distrustful gradually threw off their misgivings, and vied with the Catholic nobles both in gallantry and splendour; and meanwhile Catherine, the King, the Duc d'Anjou, and the Guises were busied in organizing the frightful tragedy of St.Bartholomew! The young Queen of Navarre had scrupulously been left in ignorance of a plot which involved the life of her bridegroom as well as those of his co-religionists; nor was she aware of the catastrophe which had been organised until Paris was already one vast shambles.

Startled from her sleep at the dead of night, and hurriedly informed of the nature of the frightful cries that had broken her rest, she at once sprang from her bed, and throwing on a mantle, forced her way to the closet of her royal brother, where, sinking on her knees, she earnestly implored the lives of Henry's Protestant attendants; but for a time Charles was obdurate; nor was it until after he had reluctantly yielded to her prayers that she recognised, with an involuntary cry of joy, the figure of her husband, who stood in the deep bay of a window with his cousin, M.
de Conde.[8] By one of those caprices to which he was subject, the King had refused to sacrifice either of these Princes; and he had accordingly summoned them to his presence, where he had offered them the alternative of an instant abjuration of their heresy.
Shrieks and groans already resounded on all sides; the groans of strong men, struck down unarmed and defenceless, and the shrieks of women struggling with their murderers; while through all, and above all, boomed out the deep-toned bells of the metropolitan churches--one long burial-peal; and amid this ghastly diapason it was the pleasure of the tiger-hearted Charles to accept the reluctant and informal recantation of his two horror-stricken victims; after which he compelled them without remorse to the agony of seeing their friends and followers butchered before their eyes.
Enraged by what they denounced as the weak and impolitic clemency of the King, in having thus shielded two of the most powerful leaders of the adverse faction, Catherine de Medicis and the Guises, having first wreaked their vengeance upon the corpse of the brave and veteran de Coligny, which they induced the King to dishonour himself by subjecting to the most ignominious treatment, next endeavoured to alienate Marguerite from her husband, and to induce her to solicit a divorce.

It had formed no part of the Queen-mother's intention that the Princess should remain fettered by the bonds which she had herself wreathed about her; nor could she brook that after having accomplished a _coup-de-main_ which had excited the indignation of half of Europe, Henry of Navarre should be indebted for an impunity which counteracted all her views to the alliance which he had formed with her own family.

Marguerite, however, resolutely refused to lend herself to this new treachery, declaring that as her husband had abjured his heresy, she had no plea to advance in justification of so flagrant an act of perfidy; nor could the expostulations of her mother produce any change in her resolve.
[Illustration: THE EVE OF SAINT BARTHOLOMEU Paris: Richard Bentley and Son 1890.] It is probable that the perfect freedom of action for which she was indebted to the indifference of her young bridegroom had great influence in prompting this reply, and that the crown which had so recently been placed upon her brow had at the same time flattered her ambition; while the frightful carnage of which she had just been a witness might well cause her to shrink from the probable repetition of so hideous a catastrophe.