[Renaissance in Italy Vol. 3 by John Addington Symonds]@TWC D-Link bookRenaissance in Italy Vol. 3 CHAPTER I 44/48
These ideas are too abstract, too much a matter of the understanding, to be successfully handled by the figurative arts; and it cannot be too often or too emphatically stated that these arts produce nothing really great and universal in relation to the spirit of their century, except by a process analogous to the mythopoetic.
With conceptions incapable of being sensuously apprehended, with ideas that lose their value when they are incarnated, they have no power to deal.
As meteors become luminous by traversing the grosser element of our terrestrial atmosphere, so the thoughts that art employs must needs immerse themselves in sensuousness.
They must be of a nature to gain rather than to suffer by such immersion; and they must make a direct appeal to minds habitually apt to think in metaphors and myths.
Of this sort are all religious ideas at a certain stage of their development, and this attitude at certain moments of history is adopted by the popular consciousness.
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