[Renaissance in Italy Vol. 3 by John Addington Symonds]@TWC D-Link bookRenaissance in Italy Vol. 3 CHAPTER I 45/48
We have so far outgrown it, have so completely exchanged mythology for curiosity, and metaphor for science, that the necessary conditions for great art are wanting.
Our deepest thoughts about the world and God are incapable of personification by any aesthetic process; they never enter that atmosphere wherein alone they could become through fine art luminous.
For the painter, who is the form-giver, they have ceased to be shining stars, and are seen as opaque stones; and though divinity be in them, it is a deity that refuses the investiture of form. FOOTNOTES: [2] It may fairly be questioned whether that necessary connection between art and religion, which is commonly taken for granted, does in truth exist; in other words, whether great art might not flourish without any religious content.
This, however, is a speculative problem, for present and the future rather than the past.
Historically, it has always been found that the arts in their origin are dependent on religion.
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