The earnest remonstrances of her friends, who represented to her the certainty of the King's serious displeasure, alone determined her to sacrifice her dignity; and although she ultimately consented to submit to an arrangement which she considered as an encroachment upon her rights as the daughter of a long line of sovereigns, rather than draw down upon herself the resentment of the monarch, she wept bitterly while she prepared to swell the retinue of her successor.[3] The Comte de Soissons was less compliant; for it was no sooner announced to him that the Duchesse de Vendome, the wife of the King's natural son, was to appear in a mantle embroidered with _fleurs-de-lis_ similar to those worn by the Princesses of the Blood, than he loudly declared that he would not countenance so disgraceful an innovation; and having ordered his household to prepare for an instant departure from Paris, he left the capital with the Princess his wife, and retired to one of his country seats.[4] Despite this secession, however, the suite of Marie de Medicis was one of supreme magnificence.

The procession was opened by the Swiss Guards, habited in velvet vests of her own colours, tawny, blue, crimson, and white; then followed two companies, each composed of a hundred nobles, the first wearing habiliments of tawny-coloured satin braided with gold, and the second pourpoints of white satin and breeches of tawny colour; these were succeeded by the Lords of the Bedchamber, chamberlains, and other great officers of the royal household, superbly attired; who were, in their turn, followed by the Knights of the Holy Ghost wearing the collar of their Order.

A body of trumpeters walked after them richly dressed in blue velvet; and then came the heralds in full armour, and the Ushers of the Chamber with their maces.
When these had passed the more important personages of the procession issued from the gates of the Louvre; and the glorious spring sun flashed upon the jewelled caps and capes of the Princes of the Blood, glistened over their vests of cloth of gold, and toyed with the gemmed hilts of their diamond-studded weapons.

Preceding the Queen were the Prince de Conti and the Comte d'Anquien;[5] while immediately before her walked the Dauphin clad in a habit of cloth of silver, profusely ornamented with precious stones; and then came Marie herself, in the full glory of conscious dignity and triumph, wearing a coronet of jewels, a richly-gemmed stomacher, a surcoat of ermine, and a royal mantle seven French ells in length, composed of purple velvet embroidered with _fleurs-de-lis_ in gold and diamonds, and bordered with ermine, which was borne on either side of her by the two Cardinals, and at its extremity by the Dowager Princess of Conde,[6] the Princesse de Conti, the Dowager Duchess of Montpensier, and the Duchesse de Mercoeur;[7] whose trains were in like manner supported by four nobles habited in cloth of gold and silver, and covered with jewels.
Then followed Madame Elisabeth de France and the ex-Queen Marguerite, wearing mantles covered with _fleurs-de-lis_ embroidered in gold, carried by four nobles richly attired, with their capes and caps laced with jewels; and the gorgeous train was finally closed by the Princesses of the Blood and Duchesses, whose trains were in like manner borne by some of the principal noblemen of the Court.

All these ladies wore their coronets enriched with pearls and diamonds, save such as were widows, to whom the use of gems was interdicted by the fashion of the age.
To these succeeded the ladies of the Queen's household, among whom the Marquise de Guercheville[8] and Madame de Concini excited the most curiosity; the latter from the high favour which she enjoyed, and the extraordinary elevation to which it had conduced; and the former from a cause infinitely more honourable to her as a woman.