To be sure, several of them have made marks--very black ones.
Now let us turn the pages of the "Careless Husband," as we scan them in Lowndes's "British Theatre," and see if we cannot extract some amusement therefrom.

The scene opens in the lodgings of Sir Charles Easy, who, like many other dramatic personages of the eighteenth century, has a name that signifies his character.

Easy, Sir Charles is in every sense of the word, particularly easy as to morals, for the possession of a lovely wife does not prevent him from prosecuting an amour with a woman of quality, Lady Graveairs, or having a vulgar intrigue with the maid of his own spouse.

In fine, he is a right amiable gentleman, according to the curious standards of long ago; a very prince of good fellows, who in these days would pass for a cad.
We are hardly begun with the comedy before we are introduced to this paragon, who enters just after Lady Easy and the maid, Edging, have discovered fresh proofs of his flirtation with Lady Graveairs.

Charles is inclined to be philosophical in a blase, tired way, and he says: "How like children do we judge of happiness! When I was stinted in my fortune almost everything was a pleasure to me, because most things then being out of my reach, I had always the pleasure of hoping for 'em; now fortune's in my hand she's as insipid as an old acquaintance.
It's mighty silly, faith, just the same thing by my wife, too; I am told she's extremely handsome [as though the sad devil didn't know it], nay, and have heard a great many people say she is certainly the best woman in the world--why, I don't know but she may, yet I could never find that her person or good qualities gave me any concern.