[The Palmy Days of Nance Oldfield by Edward Robins]@TWC D-Link book
The Palmy Days of Nance Oldfield

CHAPTER III
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Or shall we say comparatively sober ?--for when bibulous George had just a dash of spirits within him (and that was nearly always) there came a roseate hue to his acting which rather added to its romantic colour.

Sometimes this colour was laid on too garishly, as the supply of fire-water happened to be larger,[A] and Sir John Vanbrugh has himself left it on record that Powell, as Worthy, came well nigh spoiling the original production of the "Relapse." "I own," writes Sir John, "the first night this thing was acted, some indecencies had like to have happened; but it was not my fault.

The fine gentleman of the play, drinking his mistress's health in Nantes brandy, from six in the morning to the time he waddled up upon the stage in the evening, had toasted himself up to such a pitch of vigour, I confess I once gave up Amanda for gone; and am since, with all due respect to Mrs.Rogers, very sorry she escaped; for I am confident a certain lady (let no one take it to herself that is handsome) who highly blames the play, for the barrenness of the conclusion, would then have allowed it a very natural close." It should be added that the Mrs.Rogers herein mentioned as playing Amanda was a capable tragic actress whose ambition it was to enact none but virtuous women.

Her own virtue--but we are dipping into scandal.[B] [Footnote A: To the folly of intoxication he added the horrors of debt, and was so hunted by the sheriffs' officers that he usually walked the streets with a sword (sheathed) in his hand; and if he saw any of them at a distance, he would roar out, "Get on the other side of the way, you dog!" The bailiff, who knew his old customer, would obligingly answer, "We do not want you _now_, Master Powell." EDMUND BELLCHAMBERS.] [Footnote B: Her fondness for virtue on the stage she began to think might persuade the world that it had made an impression on her private life; and the appearance of it actually went so far that, in an epilogue to an obscure play, the profits of which were given to her, and wherein she acted a part of impregnable chastity, she bespoke the favour of the ladies by a protestation that in honour of their goodness and virtue she would dedicate her unblemished life to their example.

Part of this vestal vow, I remember, was contained in the following verse:-- "Study to live the character I play." But alas! how weak are the strongest works of art when Nature besieges it .-- CIBBER.] As for the "Careless Husband," the more one reads from it the more cause is there to regret the utter hopelessness of reviving a play so honeycombed by inuendo.


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