Still the girl argued, but it was in a whisper, as if she feared that terrible John Mark might overhear.
* * * * * In the home of John Mark, that calm leader was still with Ruth Tolliver.
They had gone down to the lower floor of the house, and, at his request, she sat at the piano, while Mark sat comfortably beyond the sphere of the piano light and watched her.
"You're thinking of something else," he told her, "and playing abominably." "I'm sorry." "You ought to be," he said.

"It's bad enough to play poorly for someone who doesn't know, but it's torture to play like that for me." He spoke without violence, as always, but she knew that he was intensely angry, and that familiar chill passed through her body.

It never failed to come when she felt that she had aroused his anger.
"Why doesn't Caroline come back ?" she asked at length.
"She's letting him talk himself out, that's all.

Caroline's a clever youngster.

She knows how to let a man talk till his throat is dry, and then she'll smile and tell him that it's impossible to agree with him.
Yes, there are many possibilities in Caroline." "You think Ronicky Doone is a gambler ?" she asked, harking back to what he had said earlier.
"I think so," answered John Mark, and again there was that tightening of the muscles around his mouth.