Sir Robert de Beaumanoir and his comrades, who remained alive, took them and carried them off to Castle Josselin as their prisoners; and then admitted them to ransom courteously when they were all cured, for there was none that was not grievously wounded, French as well as English.

I saw afterwards, sitting at the table of King Charles of France, a Breton knight who had been in it, Sir Yvon Charnel , and he had a face so carved and cut that he showed full well how good a fight had been fought.

The matter was talked of in many places, and some set it down as a very poor, and others as a very swaggering business." The most modern and most judicious historian of Brittany, Count Daru, who has left a name as honorable in literature as in the higher administration of the First Empire, says, very truly, in recounting this incident, "It is not quite certain whether this was an act of patriotism or of chivalry." He might have gone farther, and discovered in this exploit not only the characteristics he points out, but many others besides.

Local patriotism, the honor of Brittany, party spirit, the success of John of Montfort or Charles of Blois, the sentiment of gallantry, the glorification of the most beautiful one amongst their lady-loves, and, chiefly, the passion for war amongst all and sundry-- there was something of all this mixed up with the battle of the Thirty, a faithful reflex of the complication and confusion of minds, of morals, and of wants at that forceful period.

It is this very variety of the ideas, feelings, interests, motives, and motive tendencies involved in that incident which accounts for the fact that the battle of the Thirty has remained so vividly remembered, and that in 1811 a monument, unpretentious but national, replaced the simple stone at first erected on the field of battle, on the edge of the road from P1o6rmel to Josselin, with this inscription: "To the immortal memory of the battle of the Thirty, gained by Marshal Beaumanoir, on the 26th of March, 1350 (1351)." With some fondness, and at some length, this portion of Brittany's history in the fourteenth century has been dwelt upon, not only because of the dramatic interest attaching to the events and the actors, but also for the sake of showing, by that example, how many separate associations, diverse and often hostile, were at that time developing themselves, each on its own account, in that extensive and beautiful country which became France.