A foreglance has been given of the alteration which was brought about in those characteristics, at the date of the sixteenth century, by the Renaissance, at the same time that the arts were made to shine with fresh and vivid lustre.

Francis I.was their zealous and lavish patron; he revelled in building and embellishing palaces, castles, and hunting-boxes, St.Germain, Chenonceaux, Fontainebleau, and Chambord; his chief councillors, Chancellor Duprat and Admiral Bonnivet, shared his taste and followed his example; several provinces, and the banks of the Loire especially, became covered with splendid buildings, bearing the marks of a complicated character which smacked of imitations from abroad.

Italy, which, from the time of Charles VIII.

and Louis XII., had been the object of French kings' ambition and the scene of French wars, became also the school of French art; national and solemn Christian traditions were blended, whilst taking an altered form, with the Italian resuscitation of Greek and Roman antiquity.

Italian artists, such as Rosso of Florence, Primatice of Bologna, Niccolo dell' Abbate of Modena, and Benvenuto Cellini of Florence, came and settled in France, and there inspired and carried out the king's projects and works.