To adjust the house of a simple gentleman to the grand ideas of the most powerful favorite there has ever been in France, you will observe that the architect must have been hampered; accordingly he did not see his way to planning any but very small quarters, which, by way of recompense, as regards gilding or painting, lack no embellishment inside.
"Amidst all that modern invention has employed to embellish it, there are to be seen, on the chimney-piece in a drawingroom, the arms of Cardinal Richelieu, just as they were during the lifetime of his father, which the cardinal desired to leave there, because they comprise a collar of the Holy Ghost, in order to prove to those who are wont to misrepresent the origin of favorites that he was born a gentleman of a good house.

In this point, he imposed upon nobody." The castle of Richelieu is well nigh destroyed; his family, after falling into poverty, is extinct; the Palais-Cardinal has assumed the name of Palais-Royal; and pure monarchy, the aim of all his efforts and the work of his whole life, has been swept away by the blast of revolution.

Of the cardinal there remains nothing but the great memory of his power and of the services he rendered his country.

Evil has been spoken, with good reason, of glory; it lasts, however, more durably than material successes even when they rest on the best security.

Richelieu had no conception of that noblest ambition on which a human soul can feed, that of governing a free country, but he was one of the greatest, the most effective, and the boldest, as well as the most prudent servants that France ever had.
Cardinal Richelieu gave his age, whether admirers or adversaries, the idea which Malherbe expressed in a letter to one of his friends: "You know that my humor is neither to flatter nor to lie; but I swear to you that there is in this man a something which surpasses humanity, and that if our bark is ever to outride the tempests, it will be whilst this glorious hand holds the rudder.